2000年，她赴日本完成《{{link-en|I.K.U.|I.K.U.}}》，影片以跨媒體呈現科幻的實驗風格，探討日本的色情電影脈絡以及色情政治<ref>{{cite web|url=http://www.itpark.com.tw/artist/critical_data/9/1748/43 |title=假色情之名，行藝術之實—評鄭淑麗作品「IKU」 |work=藝術觀點 |date=1 July 2001| |accessdate=29 April 2018}}</ref>。2017年，她完成第三部長片作品《{{link-en|體液ø|Fluidø}}》，在[[第67屆柏林影展]]電影大觀單元中首映<ref>{{cite web |url=http://www.berlinale.de/en/presse/pressemitteilungen/panorama/pan-presse-detail_34900.html |title=Berlinale Panorama 2017: The Wound Selected to Open Panorama's Main Programme / Focus on "Black Worlds" and "Europa Europa" |work=[[柏林影展]] |date=20 December 2016 |accessdate=21 December 2016 |archive-url=https://web.archive.org/web/20161222001055/http://www.berlinale.de/en/presse/pressemitteilungen/panorama/pan-presse-detail_34900.html |archive-date=2016-12-22 |dead-url=yes }}</ref><ref>{{cite web|url=https://www.berlinale.de/en/presse/pressemitteilungen/panorama/pan-presse-detail_36372.html|title=Panorama 2017 Programme Complete: Powerful European Auteur Cinema / Three Surprising Indie Gems from China and Hong Kong / Brazil Well-Represented with Five Films|work=[[柏林影展]]|date=25 January 2017|accessdate=26 January 2017|archive-url=https://web.archive.org/web/20170202072612/https://www.berlinale.de/en/presse/pressemitteilungen/panorama/pan-presse-detail_36372.html|archive-date=2017-02-02|dead-url=yes}}</ref>，全片再度用科幻式酷兒風格，探討近未來後愛滋時代的政府監控。

== 電影作品 ==