變更

匠者先在器上施淡[[黃釉]]，而後貼上處理過的[[樹葉]]，再施一層富含鐵份的黑釉，入[[窯]]燒成。其實就是在經高溫氧化下燒造，使樹葉所殘留的灰質成份在釉面上留下的痕跡而形成。它真實完整的留下了樹葉的原貌，如[[化石]]般經久不損<ref>{{cite web| url = http://antiquities.npm.gov.tw/Utensils_Page.aspx?ItemId=309875 |title = 南宋 吉州窯 黑釉木葉紋茶盞 |website = 器物典藏資料檢索系統 |publisher = 國立故宮博物院 |accessdate = 2017-11-10 |archiveurl = https://web.archive.org/web/20171110095736/http://antiquities.npm.gov.tw/Utensils_Page.aspx?ItemId=309875 |archivedate = 2017-11-10 |deadurl =no |language = zh-tw}}</ref><ref>{{cite web |url = http://catalog.digitalarchives.tw/item/00/0c/c4/b3.html |title = 黑釉枯葉盞 |website = 典藏台灣 |publisher = 中央研究院數位文化中心 |accessdate = 2017-11-10 |archiveurl = https://web.archive.org/web/20171110095941/http://catalog.digitalarchives.tw/item/00/0c/c4/b3.html |archivedate = 2017-11-10 |deadurl = no |language = zh-tw}}</ref>。