變更

這幅畫分作五層，首層描繪光明童女（又稱電光佛）造訪天宮，可分為三個場景：右邊表現天宮之主迎接童女的到來，中間是童女與天宮之主在宮殿裡交談，左邊是童女離開天宮。第二層表現兩位摩尼教選民在一尊神像（[[摩尼]]像）前佈道，坐於蓮臺上的摩尼像長髮披肩，身着摩尼教特有的紅邊白袍。第三層表現在傳統中國觀點中，四種好的出生（[[轉生]]），即[[士農工商]]。第四層描繪死後的靈魂在接受審判，在左上方可見光明童女駕雲而來，她將以聽判人身份干預審判。法國歷史學家[[魏義天]]將這個審判場景同[[北周]][[粟特]]人[[史君墓]]出土石槨上刻畫的[[瑣羅亞斯德教]]之[[欽瓦特橋]]審判場面對比後，認為它們驚人地相似。<ref>{{cite web |url=http://www.academia.edu/20031662/_Wirkak_Manichaean_Zoroastrian_Khurram%C3%AE_On_bilingualism_and_syncretism_in_Sogdian_funerary_art_Papers_in_Honour_of_Professor_Yutaka_YOSHIDA_and_Professor_Masaharu_ARAKAWA_on_Their_60th_Birthday_Studies_on_the_Inner_Asian_Languages_30_2015_p._95-112 |title=Wirkak: Manichaean, Zoroastrian, Khurramî? On bilingualism and syncretism in Sogdian funerary art |last=La Vaissière |first=Étienne de |date=2015 |website={{Link-en|academia.edu}} |access-date=2018-12-21 |language=en |author-link=魏義天}}</ref>[[ 匈牙利]] 宗教史學家兼摩尼教學者{{Link-hu| 康高寶|Kósa Gábor}} 將該場景和在新疆[[高昌故城|高昌]]出土的「[[摩尼教抄本殘頁 MIK III 4959]]」背面插圖所描繪的審判場景對比後，發現二者雖因文化差異之故使得圖像風格大相逕庭，但卻都描繪了同一個主題——兩名赤身裸體的男子在一名判官面前接受審判。<ref>{{cite book |last=Kósa |first=Gábor |editor-last1=Richter |editor-first1=Siegfried G. |editor-last2=Horton |editor-first2=Charles |editor-last3=Ohlhafer |editor-first3=Klaus |date=2015 |chapter=Chapter 12: Two Manichaean Judgment Scenes—MIK III 4959 V and the Yamato Bunkakan Sandōzu Painting |title=''Mani in Dublin: Selected Papers from the Seventh International Conference of the International Association of Manichaean Studies in the Chester Beatty Library, Dublin, 8–12 September 2009'' |series="Nag Hammadi and Manichaean Studies" series |volume=88 |url=https://brill.com/view/book/edcoll/9789004289123/B9789004289123_013.xml |language=en |location=Leiden |publisher=Brill Publishers |pages={{pp.|196|197}} |isbn=9789004289123 |access-date=2019-01-02 |archive-date=2019-04-12 |archive-url=https://web.archive.org/web/20190412082047/https://brill.com/view/book/edcoll/9789004289123/B9789004289123_013.xml |dead-url=no }}</ref>最下層描繪了四種地獄場景，從左至右分別是一個被箭射穿的人懸掛在紅色木架上，一個倒掛在紅色木架上的人正被魔鬼肢解，一個人在接受火輪輾壓的酷刑，最後是幾個魔鬼（或惡鬼）在等待下一個囚犯（折磨對象）<ref>{{cite web |url=https://heiup.uni-heidelberg.de/journals/index.php/transcultural/article/view/6173/2966 |title=Searching for Mani's ''Picture-Book'' in Textual and Pictorial Sources |last=Gulácsi |first=Zsuzsanna |date=2011 |publisher=Heidelberg University Publishing |accessdate=2018-07-11 |language=en |author-link=古樂慈 |archive-date=2020-08-16 |archive-url=https://web.archive.org/web/20200816102357/https://heiup.uni-heidelberg.de/journals/index.php/transcultural/article/view/6173/2966 |dead-url=no }}</ref>。